UPgrade

'Strategihuset' [The Strategy House] is a practical tool for strategic work.

The Core Narrative is a practical tool for articulating identity and communication

'Stakeholder analysis' is a practical tool for strategic relationships.

Recommendations and inspiration for best practice when you as a freelance artist or producer are involved in a co-production with an institutional theatre

How do you find and retain a producer? And what should you be aware of when working with them?

Handbook for partnerships between the business sector and actors in the independent performing arts sector

What should a good grant application contain? And how do you communicate your project clearly and concisely?

Do you need concrete examples and advice for a good budget? And do you want to make sure that it's not small mistakes that get you rejected by the funds?

Here you will find links to overviews of foundations relevant to the performing arts, as well as guidance on how to get started with your foundation application.

In this webinar, lawyer Diana Sloth Nielsen from DLA Piper and administrator Erling Larsen reviewed the four different models most commonly used when establishing oneself as a professional performing artist, both as a company and as an individual artist.

The following is a brief introduction and overview of VAT, chart of accounts, salaries/fees, foreign employees, supporting documents, budget, and auditing.

A report on Sort/Hvid's crowdfunding campaign and the prospects for audience involvement.

What is worth knowing when you want to tour with your production? Read a number of recommendations here for those who want to tour with a performing arts production in Denmark.

What is the Theatre Seminar, and how can you participate?

Let Malco Oliveros guide you through technical planning.

Agreements with the employees, tour schedule, visas and passports and taxes.

Here we have put together a number of tips and advice for a good pitch.

Sofie Haag guides you through the most important considerations and decisions you need to make in order to get clarity on your brand and communication strategy.

The goal is to promote a performance, a work in progress or perhaps an idea for collaboration – and sometimes to sell performances for international touring.

Get Applaus' take on audience development – what is it, why should we do it, and how do we do it?

If you try to be everything to everyone, you risk being nothing to anyone. That's why it's important to ask yourself: Who is our target audience?

Here you will find Danish and international literature on audience development from different perspectives and positions.